Keith jarrett transcriptions bert ligon how to#

Yes, there are numerous techniques and books out about learning how to improvise. But that doesn't mean youll have the first clue as to how Michealangelo conceived of and created his David.

You can study the techniques of all the masters. You can learn to chisel marble in a masterful and extremely meticulous way. Its just that so many musicians think it stops there. Scales, harmony, rhythm) before he can 'become one with the musical universe'. Of course the student needs to obtain the tools of he craft (ie. That's what produces the Keith Jarretts of the world.

Show me a method that discusses how the performer can center himself in the moment, removing all thought and opening himself to the infinite sounds swirling around the universe and then harness those sounds in an honest and nonjudgemental way. Playing jazz is so much more than knowing how to manipulate and develop musical ideas. Instead, they turn students into facsimiles of improvisers because what IS NOT being discussed here is the processes that improvisers use to create music-just how to internalize their tools and language. These are good ways of utilizing and maximizing the benefits of transcribing musical language devices.įor me though, the problem with many of these types of approaches is that they don't turn students into improvisers. It all makes sense from an academic study angle.

Keith jarrett transcriptions bert ligon